Nicola Benedetti -《義大利》(Italia)[FLAC]

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Nicola.Benedetti.-.[Italia].專輯.(Flac).rar 331.4MB
资源简介
專輯中文名: 義大利 語言: 英語 地區: 英國 簡介:
專輯介紹:
BBC音樂雜誌四顆星
才二十五歲,蘇格蘭小提琴家班乃德提已經穩坐當今樂壇名家之列。八歲成爲英國國家兒童樂團首席、九歲進曼紐因音樂學校成爲曼紐因的學生,十四歲就已經展開忙碌的演奏生涯,十五歲赢得全英神童大賽冠軍,十六歲更吸引導演以她爲主角拍攝紀錄片紀錄她的神童生涯,并赢得BBC年度青年音樂家大賽首獎。十七歲演奏齊瑪諾夫斯基第一号小提琴協奏曲,展現驚人的早熟音樂性,也讓環球唱片集團捧著高達一百萬英磅的簽約金上門,并給她六張專輯的合約。
這張「義大利」專輯,是班乃德提在環球唱片集團發行的第六張專輯,也就是合約最後一張專輯,卻是她第一張對全球發行的專輯。前五張專輯都限定在英國地區發行:第一、兩張專輯在DG,第四張專輯在笛卡,但第五張專輯又轉回DG。這張「義大利」專輯,她正式成爲笛卡的國際專屬藝人。
過去六張專輯中,第一張齊瑪諾夫斯基和第二張孟德爾頌協奏曲的錄音都登上英國古典榜冠軍和亞軍寶座,第四張專輯「幻想曲」也同樣登上英國古典榜冠軍,這樣的成績再加上多年來樂壇的肯定,讓她在二十歲這年,就獲得格拉斯哥卡勒多尼安大學頒發的榮譽博士學位,成爲最年輕的得獎者。去年(2011)愛丁堡大學又再度頒發榮譽學位給她,肯定了她作爲英國有史以來最受國際肯定小提琴家的地位。
這張專輯中名稱雖是「義大利」,但其實是一張以巴洛克時代的義大利小提琴曲目爲主的專輯。選擇這樣的曲目和專輯名稱,主要是因爲班乃德提的父親就是義大利人,而爲了強調她是蘇格蘭出身的小提琴家,這張專輯也特别回到愛丁堡錄音,并且與蘇格蘭室内樂團合奏。專輯中除了演奏了以艱難聞名的塔替尼「魔鬼的顫音」小提琴奏鳴曲,以及韋瓦第「四季」協奏曲中的「夏」一曲外,還錄了不太爲人所知,但被小提琴家公認爲最難的韋瓦第小提琴協奏曲「蒙兀兒大帝」(IlGrossoMogul),此曲是韋瓦第歌頌這個成吉思汗後代偉大君主的作品︰第一、三樂章技巧極其艱難華麗,非常讓人興奮。另外片中也改編了韋瓦第歌劇《朱斯提諾》(Giustino)中優美且華麗的花腔詠嘆調「我會滿心歡喜的去看」(Vedroconmiodiletto)。此曲原爲能唱到女高音的閹人歌唱家所寫,唱腔充滿了轉音和花腔,小提琴拉來更顯其旋律之繁複與巴洛克式華麗。
DECCA 4764342(1CD)028947643425
義大利【1CD】
Italia
妮可拉‧班乃德提, 小提琴
Nicola Benedetti, Violin / Bournemouth Symphony Orchestra, Kirill Karabits
Release Date: 01/24/2012
Label: Decca Catalog #: 001641202
Composer: Antonio Vivaldi, Giuseppe Tartini, Francesco Maria Veracini
Performer: Nicola Benedetti, Catherine Rimer, Christian Curnyn, Thomas Dunford
Conductor: Christian Curnyn
Orchestra/Ensemble: Scottish Chamber Orchestra
Audio CD (3 Oct 2011)
Number of Discs: 1
Format: CD
Label: Decca (UMO)
ASIN: B0052CD7M4
This is the kind of release on which the clothes worn by the soloist for the photo shoot get equal billing to the technical staff for the recording, but this is one case where we shouldn’t let fashionable marketing put us off: this is a stunning disc in all respects.
Nicola Benedetti already has a track record of fine recordings, including her Fantasie album and an excellent Szymanowski Violin Concerto. Here she breaks away from romantic repertoire to explore Italian Baroque repertoire which ‘she had never expected to feel quite so at home in’. After a certain amount of stylistic experiment she seems to have hit on an approach which sounds natural, vibrant, and reasonably authentic - whatever one takes that to mean. She is in fact playing on metal strings but with a Baroque bow borrowed from Rachel Podger, and using vibrato as a vehicle for expression rather than standard tone production. The arias are a mild exception in this regard, in which she goes closer to imitating a singing voice but still with admirable restraint. This to my ears is a convincing, indeed a winning combination of technical thought and intuitive response to some very fine music.
Benedetti’s superb solos aside, the Scottish Chamber Orchestra is also something of a model in these pieces, proving to sound entirely at home with this Italian Baroque repertoire. The recording is superbly balanced, with the harpsichord blending nicely with the strings as it should, the soloist forward but not excessively close or voluminous. The programme is a marvellous mixture of meaty concertos, more intimate sonatas, and arrangements of some vocal works which sound excellent in this setting. One of the highlights is Vedrò con molto diletto from Vivaldi’s Il Giustino, which is one of those pieces with juicily dramatic harmonies over which the ‘voice’ draws beautifully expressive lines. Nulla in mundo pax sincera is from a motet, and while more gentle is no less moving.
Of the concertos there are of course a few highlights. I particularly like the energetic theorbo strumming in the third movement Allegro of Vivaldi’s Concerto in D major RV 208, the “Grosso Mogul”. Tartini’s Devil’s Trill sonata is a familiar work, but given a superb performance here, Benedetti seeking the emotional heart of the piece as much as the virtuoso display, which she renders with ease and enjoyably breezy wit. Vivaldi’s Concerto in A minor is from La Cetra, combining trademark technical fireworks with those moments of sparse clarity which zap straight into the emotions through their apparent simplicity. Sandwiched between this and Tartini’s remarkably exploratory late Concerto in A minor D115 is an all too brief sonata movement from Francesco Veracini, some of whose legendary life events are briefly outlined in the booklet. The Tartini concert deserves mention for its central Andante cantabile movement, which is made to sound a little like a performance from a glass harmonica through the rise and fall of pure string tones. The final piece is “Summer” from The Four Seasons, played both sensitively and impressively by all concerned.
This is the kind of CD which is sheer joy from beginning to end, and one you will want to put on again and again, and again. It doesn’t pose difficult questions or set itself up to be the product of any particular kind of historical or intellectual approach to the repertoire. The impression is just that of a bunch of expert musicians getting the very best out of what they are performing, recorded in an ideal environment by a crack production team. Not only for these reasons is this like a breath of fresh Mediterranean air coming through your loudspeakers. With Nicola Benedetti’s remarkably fine playing one always has the impression that the rest of the musicians are at the peak of their abilities, raising their game and playing their socks off to make this a very fine disc indeed.
引用Nicola Benedetti與Petrus Guarneri (1751)名琴
英國小提琴家新秀Nicola Benedetti非常年輕,出生於1987年。她4歲依鈴木教學法習琴,於1997年進入曼紐因音樂學校跟随Natasha Boyarskaya學習。後來她離開曼紐因音樂學校後,目前繼續在英國随Maciej Rakowski私下習琴(Maciej Rakowski是英國室内樂團前首席)。
目前Benedetti在英國是頗被眾人期待看好的新星。由於Benedetti有義大利人血統,他父親的制藥事業非常成功,所以她比别人幸運的是她很年輕時便擁有自己的好琴。Benedetti現在使用的是Petrus Guarneri (1751)名琴,這把琴是Petrus Guarneri 最晚年的幾把作品之一。我聽過BBC上Benedetti於曼紐因紀念音樂會上的演奏錄音,她的琴音飽滿而豐潤且洋溢著熱情,Benedetti在小提琴技巧上也相當穩定而傑出。她的Petrus Guarneri名琴的音量大且穿透力極佳,是把相當出色的獨奏家樂器。
COMPOSER: Antonio Vivaldi (other composers in brackets after works)
TITLE: Italia
TRACKS: Concerto In D RV208 'Grosso Mogul'. Vedro Con Mio Diletto - Aria from Giustino (Vivaldi). Sonata in G Minor Devil's Trill (Tartini). Concerto in A minor RV358 'La Cetra' (Vivaldi). Largo - from Sonata VI of Sonata Accademiche op.2 (Veracini). Violin Concerto in A minor D115 'A Lunardo Venier' (Tartini). Nulla In Mundo Pax Sincera - Aria. Four Seasons : Summer : Allegro Non Molto / Adagio e Piano - Presto Forte / Presto (Vivaldi).
ORCHESTRA: Scottish Chamber Orchestra
CONDUCTOR: Christian Curnyn
ARTISTS: Nicola Benedetti

發行時間: 2011年10月03日 資源格式: FLAC 專輯曲目: Antonio Vivaldi (1678 - 1741)
Concerto In D RV208 "Grosso Mogul"
[1] 1. Allegro [5:28]
[2] 2. Recitativo: Grave [2:39]
[3] 3. Allegro [6:35]
[4] Vedro con mio diletto - aria from Giustino [4:20]
Nicola Benedetti, Scottish Chamber Orchestra
Giuseppe Tartini (1692 - 1770)
Sonata in G Minor (Devil's Trill)
[5] 1. Andante [4:35]
[6] 2. Allegro [3:48]
[7] 3. Andante/Allegro [5:27]
Nicola Benedetti, Christian Curnyn
Antonio Vivaldi (1678 - 1741)
Concerto in A minor RV358 "La Cetra"
[8] 1. Adagio-Presto [2:56]
[9] 2. Largo [1:58]
[10] 3. Allegro [3:03]
Nicola Benedetti, Scottish Chamber Orchestra
Francesco Maria Veracini (1690 - 1750)
Sonata No. 6 in A Major (from Sonate accademiche op.2)
[11] Largo [3:40]
Nicola Benedetti, Christian Curnyn
Giuseppe Tartini (1692 - 1770)
Violin Concerto in A minor, D115 "A Lunardo Venier"
[12] 1. Allegro-Cantabile - Allegro Assai [4:32]
[13] 2. Andante-Cantabile [5:00]
[14] 3. Presto [5:23]
Antonio Vivaldi (1678 - 1741)
[15] Nulla in Mundo Pax Sincera [6:58]
The Four Seasons: Summer
[16] 1. Allegro Non Molto [4:46]
[17] 2. Adagio e Piano - Presto Forte [2:12]
[18] 3. Presto [2:42]
Nicola Benedetti, Scottish Chamber Orchestra
Total Playing Time [1:16:02] 古典類型: 全集作品 專輯英文名: Italia
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