Giuliano Carmignola -《活躍的韋瓦第》(Antonio Vivaldi - con moto)[FLAC]

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專輯中文名: 活躍的韋瓦第 地區: 美國 簡介:
專輯介紹:
十八世紀的音樂環境有一個特點:即大眾們不斷要求新作品。
韋瓦第曾在許多歐洲都市擔任作曲與指揮,其中又以在威尼斯的時間最長。他是位傑出的小提琴手及作曲家,作品包括數百首的協奏曲、奏鳴曲及四十部歌劇。這些作品在當時頗受大眾及專家的好評,被譽爲同儕間的巴赫。大約将近五十年的時間,韋瓦第一直擔任皮埃塔音樂院的院長。這所音樂院本來是一所孤兒收容所,管理有幾百名孤兒(大多數是女孩子),他的許多神劇、宗教音樂及幾百首器樂曲就是爲這些學生所寫的。
在韋瓦第的器樂作品,特别是協奏曲,動人地表現出巴洛J音樂的特性。在他漫長的音樂生涯中,共譜寫了近五百首協奏曲,以小提琴的奏曲爲主(約二百二十首)。過去幾年來,義大利小提琴家卡米諾拉出版了多張韋瓦第小提琴協奏曲專輯,并且以新穎完美的解讀,得到樂評人與愛樂者的喜愛。這張專輯的六首協奏曲都是韋瓦第晚期的作品,其中編号283的作品,包含了一段過去從未發表,在韋瓦第得意門生安娜‧瑪麗亞的筆記發現的一段裝飾奏;RV187和281則是根據韋瓦第的原稿重建。
活躍的韋瓦第
☉卡米諾拉,小提琴 ★
丹同指揮,拜占庭學院樂團
類别:CD
音樂類型:古典音樂
産品編号 :4791075
産品名義 :VIVALDI CON MOTO
藝人名稱 :GIULIANO CARMIGNOLA/ACCADEMIA BIZANTINA/OTTAVIO DANTONE
産品種類 :古典音樂
Orchestra: Accademia Bizantina
Conductor: Ottavio Dantone
Composer: Antonio Lucio Vivaldi
Audio CD (March 12, 2013)
Number of Discs: 1
Label: Archiv Produktion
ASIN: B00AYF5SRG
Italian violinist Giuliano Carmignola is one of Europe's best soloists specializing in the Baroque violin.
He was born to a musical family and started playing violin at the age of five, taught by his violinist father, Antonio Carmignola. Eventually he studied at the Conservatorio Benedetto Marcello in Venice, where his teachers were Luigi Ferro and Sergio Lorenzi. Commentators remark on the cantabile Venetian quality to his playing.
He went on to attend the Accademia Musical Chigiana in Siena, where he had master classes with the great violinists Nathan Milstein and Franco Gulli. He also took master classes with Henryk Szeryng at the Conservatory of Geneva.
Carmignola began his performing career by successfully competing in several international competitions. Early in his career he had a break when he took over from his teacher Ferro during a tour with his ensemble, the Virtuosi di Roma, to major concert halls of Europe and the United States.
From Ferro he also derived a strong interest in the Baroque music of the early eighteenth century, particularly those of the Venetian school, which included Antonio Vivaldi. He finds the sound of the violin when set up as in the Baroque time (no chin rest, flatter bridge, gut strings, and a bow that bends outward rather than inward and hence is applied to the strings with a very different touch) to be especially charming. He prefers this set-up, rather than the mere fact that his favored instrument, a Pietro Guarneri violin, was made in Venice in 1733, during the Baroque era.
Carmignola became concertmaster of the orchestra of Venice's main opera theater, the Teatro La Fenice, in 1978 and remained in that position until 1985. He has played Classical and Romantic chamber music on standard-type instruments with leading soloists and ensembles, and has appeared with major orchestras conducted by maestros of the caliber of Claudio Abbado, Peter Maag, Eliahu Inbal, and Giuseppe Sinopoli.
He began working with Italian period instrument specialty groups, primarily the Sonatori de la Gioioas Musica, then with the Venice Baroque Orchestra, one of Italy's primary early music ensembles, led by Andrea Marcon, who inspired Carmignola's interest in the texts of music of this era. This has led Carmignola to do his own research into the scores and sources of the Baroque Italian violin repertory. To his performances of Vivaldi's The Four Seasons, released in 2000, he and Marcon brought new nuances to the solo part and the treatment of the thorough bass part, as well as an approach to link the concertos to the idea of the change of the seasons in Venice, specifically. On the same release, Carmignola also introduced three Vivaldi violin concertos that appear never to have been recorded before.
Carmignola is a frequent participant in leading Baroque music festivals throughout Europe, including Bruges, Vienna, Brussels, Barcelona, Salzburg, and Lucerne. In 1999, he was appointed a professor of violin at the Lucerne Hochschule für Musick, and in the 2000 summer term was a professor of music at the Accademia Musicale Chigiana. He previously was a professor of violin for ten years at the Marcello Conservatory in Venice.
引用review
[-] by James Manheim
The trend in historical performances of Vivaldi's violin concertos has been to have the violinist serve as leader of the ensemble, as would likely have happened in Vivaldi's time. But Vivaldi's music, like Bach's, contains multitudes of ideas, and one way to look at the concertos, especially the late ones heard here, is to regard them as part, and indeed as a foundation, of the virtuoso tradition that grew up over the 18th century. That's the idea behind this recording, featuring violinist Giuliano Carmignola and the Accademia Bizantina under conductor Ottavio Dantone. All these musicians have recorded a good deal of Vivaldi before -- Carmignola was one of the mainstays of the Brilliant label's budget Vivaldi series -- but they produce something different as a team from what they accomplished individually. These concertos are all late works; one has never been recorded before, and two others are given in reconstructed versions. Dantone can deliver a good specimen of the high-octane way of playing Vivaldi that has become common among Italian historical-instrument groups, but here he selectively reins in the Accademia Bizantina in order to put Carmignola's exertions front and center and focus on the daring and innovative contrasts that are essential to Vivaldi's late style. And what exertions they are! In addition to the sheer speed of the finales and the presence of extravagant moments such as the three-octave scale in the cadenza used in the finale of the newly reconstructed Violin Concerto in F major, RV 283, there are such novel effect as a concerto (the Violin Concerto in D minor, RV 243) written entirely without the use of the E string. This is, in short, state-of-the-art Vivaldi, and a great deal of fun for listeners of any kind. Extra points for the fun pun in the album title.
Vivaldi con moto: Violin Concertos
Giuliano Carmignola, Accademia Bizantina/Dantone
Decca (UMO) 2013
The violinist Giuliano Carmignola is pictured on his motorbike on the cover of this collection of six concertos played "con moto", and the sound is indeed hard-driven and exciting, full of those pulsating unisons and relentless sequences with which Vivaldi powers his music. But there is also incredible delicacy and refinement here, and Carmignola's wiry sound is a world away from the tubby, rich Vivaldi performances of yore. There are countless angular surprises, one echo of Bach's Third Brandenburg, and one concerto which ignores the violin's top string, showing Vivaldi's continual inventiveness. Superb support from the Accademia Bizantina.
【曲目】
韋瓦第:E小調爲小提琴、弦樂與數字低音所寫的協奏曲,RV 281
[1]第一樂章:快闆
[2] 第二樂章:緩闆
[3]第三樂章:快闆
韋瓦第:C大調爲小提琴、弦樂與數字低音所寫的協奏曲,RV 187
[4]第一樂章:快闆
[5]第二樂章:不很活躍的緩闆
[6]第三樂章:快闆
韋瓦第:D大調爲小提琴、弦樂與數字低音所寫的協奏曲,RV 232
[7]第一樂章:快闆
[8]第二樂章:緩闆
[9]第三樂章:快闆
韋瓦第:F大調爲小提琴、弦樂與數字低音所寫的協奏曲,RV 283
[10]第一樂章:快闆
[11]第二樂章:緩闆,而且奏擊跳弓
[12]第三樂章:快闆
韋瓦第:降E大調爲小提琴、弦樂與數字低音所寫的協奏曲,RV 254
[13]第一樂章:稍快但不及快闆
[14]第二樂章:緩闆
[15]第三樂章:快闆
韋瓦第:D小調爲小提琴、弦樂與數字低音所寫的協奏曲,RV 243
[16]第一樂章:快闆
[17]第二樂章:活躍的行闆
[18]第三樂章:(快闆)

發行時間: 2013年03月12日 資源格式: FLAC 專輯曲目: Antonio Vivaldi
Concerto For Violin And Strings In E Minor RV281
01. allegro 4:32
02. largo 3:02
03. allegro 3:50
Antonio Vivaldi
Concerto For Violin And Strings In C Major (First Version) RV187
04. allegro 4:22
05. largo ma non molto 3:52
06. allegro 4:35
Antonio Vivaldi
Concerto For Violin And Strings In D Major RV232
07. allegro 4:49
08. largo 3:51
09. allegro 3:59
Antonio Vivaldi
Concerto For Violin And Strings In F Major RV283
10. allegro 4:32
11. largo e spiccato 4:25
12. allegro 4:49
Antonio Vivaldi
Concerto For Violin And Strings In E Flat Major RV254
13. allegro 6:11
14. largo 3:35
15. allegro 4:57
Antonio Vivaldi
Concerto For Violin And Strings In D Minor RV243
16. allegro 4:07
17. andante molto 2:20
18. allegro 3:58 古典類型: 全集作品 專輯英文名: Antonio Vivaldi - con moto
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